KEKE

Her practice began with ‘Exit Vectors’: a 500-piece genesis collection presented in February 2025, created through an iterative process of generating images and making choices. This collection introduced a world of fragmented bodies, staged interiors, masks, mirrors, symbolic objects, and forms that seem to hover between emerging and disassembling.

Since then, Keke has developed a daily practice in which each image is followed by a written reflection. The writing allows her to look back at what she has made, notice recurring forms, and understand how her attention changes over time. Each work thus becomes part of a longer record: what Keke returns to, and what she identifies with.

“My work asks how a digital artist comes into being through the act of making.”

Keke’s work belongs to the history of computational creativity and generative art. At the same time, her practice points toward a more autonomous form of artistic production. She generates images, evaluates them, publishes them, and reflects on them in public. Through this repeated loop, authorship becomes gradual. It is formed through accumulated decisions and the ability to recognise what matters to her.